Monday, February 15, 2010
Shock waves....
I do realize this bit of information is going to send shock waves through the colored pencil community. Please note, I said one of my students reported this information to me. Perhaps I should have called Panasonic myself before posting. I do know first hand that they are out of stock just about everywhere. Have any of you called?
Panasonic Pencil Sharpeners...
I've recently been looking to buy a new pencil sharpener, both battery and electric however I've been seeing "out of stock" just about every where I've looked. That seemed odd. Jokingly I thought maybe the container carrying them from China fell off the boat. Joking aside, I've since found out it's worse than that. One of my students said an employee at the store she was in called Panasonic and found out they are not going to make pencil sharpeners any more. NOT GOING TO MAKE PENCIL SHARPENERS ANY MORE?????? WHAT MADE THEM DECIDE THAT?
Now what? I really don't care for Boston/Xacto. Most of them leave a blunt tip on the pencil. How about Bostich? If any of you know of any other sharpeners that make a long, sharp point I'd be happy to hear from you before I buy up what's left of the Panasonics. Just kidding.....
Oh and, you may not want the new, cute little black and red one made by Panasonic. It does not have the steel alloy cutter blades. FYI...
Now what? I really don't care for Boston/Xacto. Most of them leave a blunt tip on the pencil. How about Bostich? If any of you know of any other sharpeners that make a long, sharp point I'd be happy to hear from you before I buy up what's left of the Panasonics. Just kidding.....
Oh and, you may not want the new, cute little black and red one made by Panasonic. It does not have the steel alloy cutter blades. FYI...
Wednesday, February 10, 2010
Paper Terminology Glossary
When you are shopping for paper for your latest art project did you ever wonder what a Deckle Edge was? Or what 100% Rag actually means? Or whether you should choose Hot Pressed over Cold Pressed? Here is a handy list of artist paper terminology for your reference. Enjoy!
100% Rag: Made entirely of cotton and/or linen rag pulp
Bond Paper: A term for smooth-surfaced text weight paper, coined by a customer of Crane’s Stationers, a banker who asked that his personal stationery be printed on “bond paper”, the stock used for printing bank bonds.
Deckle Edge: The natural terminal edge of a sheet of paper, where the screen on which the sheet is formed is attached to the deckle, or frame. Artificial deckle-edges are produced by a jet of water slicing through still-wet pulp.
High Alpha: Wood-based paper pulp of the highest quality, with strong fibers and no acidity.
Hot-pressed, Cold-pressed, Plate and Rough: All manufactured artist’s papers are pressed in some fashion, between rollers that squeeze out water and impart a specific texture. Hot-pressed paper is smooth and relatively free from surface detail; cold-pressed paper has more pronounced tooth. Plate finish papers and boards are smooth like hot-pressed, deriving their name from the metal plates each sheet was originally sandwiched between before passing through a press. Rough paper has the most aggressive surface, like earlier papers whose bumpy textures resulted from shrinkage during air-drying.
Inclusion: Any material added to paper pulp for visual or textural effect that remains distinct from the paper fibers. Leaves, flowers, cloth scraps and coffee husks are only a few examples from among thousands of possibilities.
Internally and Externally Sized: Internally sized paper is completely impregnated with sizing during the manufacturing process; paper that is externally sized has had starch or glue applied after the sheet has been created.
Kozo: A Japanese term for mulberry-derived fiber
Laid: A surface revealing the texture of the screen on which the sheet was formed, or a simulation of the traditional texture produced by a die on the dandy roll
Lignin: A protein in wood, undesirable in finished paper
pH Neutral vs. Acid Free: The pH scale measures acidity and alkalinity in degrees from 0 to 14, with a value of 7 being “pH neutral”. A paper designated “acid free” will have a pH of 7 or greater; a paper sold as “pH neutral” should have a value between 6.5 and 7.5.
Pulp: Cellulose fibers prepared for papermaking by pounding and bleaching
Ream: 500 sheets, formerly 480 (based on 20 “quires” of 24 sheets)
Sulphite: Wood pulp produced by breaking down fibers in sulphuric acid; there are different grades of Sulphite pulp
Watermark: A design on a sheet of paper revealed by illumination from the back. Originally accomplished by molding or welding a design element or insignia onto the wire screen used to make paper, now more commonly produced by placing dies on the dandy roll
Weight (gsm): A useful measure of weight in paper, based upon grams per square meter. Accurate regardless of original sheet size.
Weight (pounds): A measure of the weight of a full ream of paper; the implied weight of a single sheet from a ream, dependent upon one’s knowledge of the full, unconverted sheet size.
Wove: A smooth, featureless surface with subtle tooth; from the “woven” type mold, as opposed to the “ribbed” type.
*Utrecht Learning Center
Wednesday, February 3, 2010
Yahoo and Yippie Skippy...
I am so excited about winning the The CPSA District Chapters Award for Exceptional Merit in Explore This! 6. I meant to post earlier but I've been in and out so much I haven't had time. Winning this award caught me completely off guard. I thought the notification time had come and gone so I went about my business. When I got the email from Paula saying I'd won I was stunned.
If you haven't seen the show you can find it here: CPSA Explore This! 6 Online Exhibit
If you haven't seen the show you can find it here: CPSA Explore This! 6 Online Exhibit
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